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<h1>Avenir Next Font-Family-Group</h1>

The Avenir Next Font-Family-Group Super Family was designed by Adrian Frutiger, Akira Kobayashi, Monotype.Design Studio, Akaki Razmadze, Elena Papassissa, Nadine Chahine, Aleksei Chekulaev, Yanek Iontef, Anuthin Wongsunkakon and Toshi Omagari and published by Linotype.

Adrian Frutiger, Akira Kobayashi, Nadine Chahine, Anuthin Wongsunkakon, Monotype.Design Studio, Yanek Iontef, Toshi Omagari, Aleksei Chekulaev, Akaki Razmadze and Elena Papassissa
Linotype 2003
71 styles from $39
Adrian Frutiger and Akira Kobayashi
Linotype 2003
2 styles from $299
Akira Kobayashi

Akira Kobayashi

Studied at Musashino Art University in Tokyo, Akira Kobayashi began his career as a type designer at Sha-Ken Co., Ltd. in 1983. After working for six years at Sha-Ken, he went to London in 1989 to study calligraphy and typography. On his return to Japan in 1990, he entered Jiyu-Kobo, Ltd. and engaged in designing and digitizing the Japanese fonts Hiragino Mincho and Hiragino Gothic until 1993. From 1993 to 1997 he worked for TypeBank Co., Ltd., where he designed Latin typefaces to accompany the foundry’s digital Japanese fonts. From 1997 to 2001 he worked as a freelance designer and won...
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Yanek Iontef

Yanek Iontef

Born in the USSR, Yanek Iontef moved to Israel at the age of 16 and studied graphic design at Bezalel Academy of Art and Design, Jerusalem. He worked as a graphic designer in London and Tel Aviv. Since 1995 he has taught typography and type design at the Bezalel Academy in Jerusalem and Shenkar College of Engineering and Design in Ramat Gan. He currently works in Tel Aviv as a freelance designer specializing in type design, corporate identity and editorial design. An award-winning type designer, he also has his own type foundry, producing a range of Hebrew and Latin fonts.
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Toshi Omagari

Toshi Omagari

Toshi Omagari is a type designer born in Japan. After graduating from Musashino Art University in Tokyo, he went on to study typeface design at the University of Reading in 2010–2011. Since then, he has been working full-time as a typeface designer in the UK. He won the Modern Cyrillic competition 2014 with Marco, and received TDC Certificate of Excellence in Type Design 2014 with Metro Nova. He also translates typographical contents of all kinds of media to Japanese, such as Fred Smeijers’s Counterpunch, Doug Wilson’s Linotype: the film, and Georg Seifert’s Glyphs, the font editor.
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