FF Celliniâ„¢ supports up to 82 different languages such as Spanish, English, Portuguese, German, French, Turkish, Italian, Polish, Kurdish (Latin), Azerbaijani (Latin), Romanian, Dutch, Hungarian, Serbian (Latin), Czech, Kazakh (Latin), Swedish, Belarusian (Latin), Croatian, Finnish, Slovak, Danish, Lithuanian, Latvian, Slovenian, Irish, Estonian, Basque, Icelandic, and Luxembourgian in Latin and other scripts.
Please note that not all languages are available for all formats.
Though Albert Boton designed these in 1974 for the Hollenstein collection, what later became FF Cellini only existed as phototype until the 90s. Boton designed the family’s regular in digital during that decade, and added the italic in 2002. For its release, Boton completed the medium and bold weights, as well as a set of small caps for the regular weight. He also drew a separate, two-style display family: FF Cellini Titling. The structure of the typeface is similar to other Bodonis; in fact, all Bodonis are similar to each other, primarily diverging in details like the tautness of its curves in O, G, Q, or the forms of the serifs, or the arm of the t, etc. Noteworthy in FF Cellini are the ball terminals that are lengthened into lacrymal shapes in a, f, & j.